Filming for Lion’s Club – Pieter Miller from Image Base

At Kathmandu Films, we strive to provide the best filming services in Nepal and that sets us apart. We thrive in challenges and make a way through to get the best results. Whether it is days-long shoot or managing filming permits or talking to local people, we do it all and that is why our clients entrust us for their projects.

As of such a case, we had a chance to prove ourselves on an international platform again. Pieter Miller is a producer from Image base, Chicago based video, and event agency. He traveled to Nepal to film some of the projects the local Lions Club in Nepal were participating in. This was for Lions Club International, and a thrilling experience stocked for us in the future. We made plans and the shoot lasted for 8 days in total.  

The onset of filming journey: day 1

Inspection and Introduction

All the equipment had to be checked thoroughly by the Cinematographer himself and one of the specialists from the production company. After inspection, some more equipment was required. We had it delivered in time on the same day.

 

Understanding our location: day 2

  1. Koirala Lions Center for Ophthalmic Studies

It was May 6th, Sunday. The journey started from our hotel to BP KOIRALA LIONS CENTRE FOR OPHTHALMIC STUDIES. All the equipment were already loaded on the vehicle. We started early in the morning at 7. We reached the hospital and was welcomed by the Director Mr. Anand Sharma. He briefed the crew about the institute and after that, we went to scout the premises.

While half of the crew were out scouting, the other half were setting up the equipment for the interview. So when the scouting was over, we started the interview. There were 5 interviews in total. After the interview, we started shooting V-rolls. And that was it for the day.

 

Interviewing students and doctors: day 3

  1. Koirala Lions Center for Ophthalmic Studies Rural Clinic

The next morning, we headed to the Insitute for the Rural clinic team. We traveled with the team to Nepal-Korea Friendship Hospital, Bhaktapur. There, we got some interviews with the patient and the doctors who were running the rural clinic. After the shoot at the hospital, we headed for the town of Bhaktapur where Lions club had established an eye care center. There were children coming for inspection and diagnosis there. We shot some V-rolls and had interviews with students and the Doctor who was conducting the treatment.

 

Unfortunate weather and Gurkhali spirit: day 4

Travel to Gorkha and Interview with Engineers (2 Interviews)

Our day started early in the morning at 7, with all the luggage and equipment packed and ready to go. We made our way towards Gorkha, famous as the home to the brave troops of Gurkhali soldiers. However, we stopped to get some lunch in the daytime. As soon as we reached Gorkha, we checked into a hotel a. Since it wasn’t dark already, we decided to look around for a location to shoot the interviews.

Later, we found out that the hotel we had checked in earlier was owned by one of the founding members of Lions Club in Nepal and in Gorkha.  We were supposed to travel for 2 more hours off road for the next day. But unfortunately, we decided not to travel because of the poor condition of the roads and the weather. Luckily, we found a better option to film: the school.

 

A sweet gesture at work: day 5

School shooting interviews and V-rolls

The next day we got up at 7 in the morning and headed towards the school for filming. The students would not be there till 9 so we had a little time. We prepared the equipment and set it in place. We started interviewing the Lions from Gorkha. After the interviews, the first school bell rang. We started filming the classes. It was the usual: the students were studying what the teacher was teaching. After the V-roll we started interviewing students. When we were wrapping up, the school prepared a nice farewell program for us. The whole school was singing songs for us while the principal was handing us a small token of love. We spent the night in Gorkha.

 

Traveling back to Kathmandu: day 6

Travel Back to Kathmandu

Next day, we traveled back to Kathmandu. The weather was nice. The wind was cool. We took a much-needed rest on our way back.

 

An inspirational story: day 7

Mobility Cart Story

We are filming in the streets of Teku for the day. It was for a Mobility Cart story. Specifically, Chatra Bahadur Gurung’s story.

He received the mobility cart from Lion Ramchandra Dahal, who is an amazing guy in himself. Gurung narrates his story of how he received the three-wheeled cart that changed his life, which was very inspiring. After the shoot, we said goodbye to Chatra Bahadur Gurung and head back to the hotel.

 

Done with filming for the project: day 8

Travel to Dhulikhel Lions Club Global Action Team Meeting

We started our day early in the morning, heading towards Dhulikhel where the Global action team meeting was being held. We filmed the whole event and interviewed some of the members of the Global Action team. After the shoot, we headed straight to the airport to drop our clients off.

The whole experience was mesmerizing. Working with international clients always teaches us something we never knew before. It was amazing to work with such a talented crew and to also prove our worth. Even our clients agree on that.

Filming in Nepal: History

History of Filming in Nepal

Even though Filming in Nepal does not have a very long history, the industry has its own place in the cultural heritage of this country. Most of the Nepali films use Bollywood-style songs and narratives and are shot on 16-millimeter film. In the film industry idiom, Kathmandu, the capital and the center of the Nepali-language film industry, is called Kollywood within Nepal (which is different than India’s Tamil-language film industry, Kollywood, based in Chennai).

 

The emergence of Nepali film industry

The making of Nepali films is said to have begun with D. B. Pariyar’s Satya Harishchandra, which was the first Nepali language film to be shot. It was produced from Kolkata, India, and was released on September 14, 1951. Aama was the first film produced in Nepal and was released on October 7, 1964. It was produced by the Information Department of His Majesty’s Government of Nepal (now Government of Nepal), directed by Hira Singh Khatri with Shiva Shankar Manandhar and Bhuwan Thapa as the lead actors, who are also regarded as the first actors in the history of the Nepali film industry. This was the most important event in history of filming in Nepal.

 

The first private banner film

The first film to be produced under a private banner was Maitighar, which was released at the end of 1966 by Sumananjali Films Pvt. Ltd. Although being a Nepali movie, it had many Indians contributing toward the making of the film. Mala Sinha had the lead role, along with CP Lohani. It had special appearances of Sunil Dutt and comedian Rajendra Nath. It was directed by BS Thapa and music composed by Jaidev, a veteran music maestro. It had established Indian singers like Lata Mangeshkar, Asha Bhosle, Usha Mangeshkar, and Manna Dey playback-singing along with the household names of Nepali music, like Narayan Gopal, Prem Dhoj Pradhan, CP Lohani, and Aruna Lama.

 

Royal Nepal Film Corporation (1971)

The government later established the Royal Nepal Film Corporation in 1971 which produced Mann Ko Bandh with Prakash Thapa as the director of the film and Nati Kaji and Shiva Shankar as the music composers. Amber Gurung scored the background music. The film premiered in 1973 in Kathmandu. It was followed by Kumari (the first color Nepali film) in 1977, Sindoor in 1980, and Jeevan Rekha in series. The success of these films opened up an avenue for private parties to enter into filmmaking as an industrial endeavor.

 

Fall of the industry

The Nepali film industry started to fall down during the Maoist revolution. Fewer films were made with low budgets and even lower performance during that period which resulted in even smaller audiences. In the later years of the conflict, the production and release of Nepali films had come to a standstill with many actors and filmmakers leaving the country in search of work because there were no films being made.

 

The rise of the industry

However, with Maoists coming into mainstream politics by 2006, the Nepali film industry started to develop. Now, more and more films are being made and released. The production companies and people in the industry are enthusiastic about the country’s new situation. Also, the quality of the films being produced is improving, however, in comparison to Bollywood, it still lags far behind and the competition is tough with maximum youths preferring Bollywood and Hollywood to Kollywood. Nevertheless, the production of movies like Loot, Highway, Apabad, etc. that are based on contemporary subjects have good content and presentation. Well, the future of Nepali Film Industry looks prosperous.

 

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