Category: Filming

Filming the Sky Burials Documentary

Posted on by userktmfilms

We were heading towards Upper Mustang for filming the sky burial documentary. Needless to say, we faced a lot of challenges en route, mainly due to road maintenance and unpredictable wind. Funny, some of my friends lost their favorite socks and some other clothes on the first day of arrival at Jomsom and Kagbeni while letting it sun-dry after washing.

Even with direct sunlight during the daytime, there was freezing temperature at night. Nevertheless, the people at the hotel we were staying at welcomed us and our clients with local wine and food.

We faced some difficulties to obtain the filming permits as the location we had chosen was also the border area of Nepal and China. However, we are always prepared for the worst, with backup plans for any challenges that might arise. So, getting the permit was like a piece of cake for Kathmandu Films.

 

Filming better: what inspires us

Our clients were very friendly, which made us proud as well as happy to work harder for them every day. We strive to perform our tasks the best way we can in each day that we work. We open up to them with our creative and new ideas that help us form a good bond with our clients, and it helps us become more positive towards the work that we do.

Further, after the shoot, we set up a few interviews with the local people but they were hesitant to share anything as sky burials was a lost tradition, as well as a very sensitive topic to many.

 

Making our way through the problems

At our selected location, there was neither internet nor electricity. We did have a backup generator but it had troubles starting up due to high altitude and freezing cold. We had to wake up in the middle of the night every day to start our jeep and generator to keep it warm and workable enough to run. After a total of 21 days of the shooting schedule, we finally managed to complete the shoot 5 days earlier, because of good coordination within the team and our hard work.

 

Final thoughts

As a Line Producer and Fixer, I am filled with immense pride and love as I say that Kathmandu Films team is a really lovely team to work with. The sky burials shoot was one of the most memorable shoots for us because of all that we learned and all the challenges that we met. Through this shoot, we along with our clients got to learn about the lost tradition in Nepal, sky burials.

 

 

Filming in Nepal: History

Posted on by userktmfilms

History of Filming in Nepal

Even though Filming in Nepal does not have a very long history, the industry has its own place in the cultural heritage of this country. Most of the Nepali films use Bollywood-style songs and narratives and are shot on 16-millimeter film. In the film industry idiom, Kathmandu, the capital and the center of the Nepali-language film industry, is called Kollywood within Nepal (which is different than India’s Tamil-language film industry, Kollywood, based in Chennai).

 

The emergence of Nepali film industry

The making of Nepali films is said to have begun with D. B. Pariyar’s Satya Harishchandra, which was the first Nepali language film to be shot. It was produced from Kolkata, India, and was released on September 14, 1951. Aama was the first film produced in Nepal and was released on October 7, 1964. It was produced by the Information Department of His Majesty’s Government of Nepal (now Government of Nepal), directed by Hira Singh Khatri with Shiva Shankar Manandhar and Bhuwan Thapa as the lead actors, who are also regarded as the first actors in the history of the Nepali film industry. This was the most important event in history of filming in Nepal.

 

The first private banner film

The first film to be produced under a private banner was Maitighar, which was released at the end of 1966 by Sumananjali Films Pvt. Ltd. Although being a Nepali movie, it had many Indians contributing toward the making of the film. Mala Sinha had the lead role, along with CP Lohani. It had special appearances of Sunil Dutt and comedian Rajendra Nath. It was directed by BS Thapa and music composed by Jaidev, a veteran music maestro. It had established Indian singers like Lata Mangeshkar, Asha Bhosle, Usha Mangeshkar, and Manna Dey playback-singing along with the household names of Nepali music, like Narayan Gopal, Prem Dhoj Pradhan, CP Lohani, and Aruna Lama.

 

Royal Nepal Film Corporation (1971)

The government later established the Royal Nepal Film Corporation in 1971 which produced Mann Ko Bandh with Prakash Thapa as the director of the film and Nati Kaji and Shiva Shankar as the music composers. Amber Gurung scored the background music. The film premiered in 1973 in Kathmandu. It was followed by Kumari (the first color Nepali film) in 1977, Sindoor in 1980, and Jeevan Rekha in series. The success of these films opened up an avenue for private parties to enter into filmmaking as an industrial endeavor.

 

Fall of the industry

The Nepali film industry started to fall down during the Maoist revolution. Fewer films were made with low budgets and even lower performance during that period which resulted in even smaller audiences. In the later years of the conflict, the production and release of Nepali films had come to a standstill with many actors and filmmakers leaving the country in search of work because there were no films being made.

 

The rise of the industry

However, with Maoists coming into mainstream politics by 2006, the Nepali film industry started to develop. Now, more and more films are being made and released. The production companies and people in the industry are enthusiastic about the country’s new situation. Also, the quality of the films being produced is improving, however, in comparison to Bollywood, it still lags far behind and the competition is tough with maximum youths preferring Bollywood and Hollywood to Kollywood. Nevertheless, the production of movies like Loot, Highway, Apabad, etc. that are based on contemporary subjects have good content and presentation. Well, the future of Nepali Film Industry looks prosperous.

 

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